This past weekend at Austin City Limits, Hozier reminded us why art and advocacy still walk hand in hand. What started as an evening of music became a moment of alignment; a demonstration that music festivals are not just for escapism, but also for conscience. During his headlining set, Hozier paused to speak with intentional calm and conviction. Referencing civil rights icons like Nina Simone and Pete Seeger, he framed the struggles of today for migrants, for gender justice, for LGBTQ+ rights; as part of a long arc toward justice.
In his remarks, he:
- Denounced anti-Semitism and pledged to distinguish that from support for Palestinian liberation.
- Voiced his belief in a free Palestinian state and called for a just peace in the Middle East.
- Highlighted how rights many take for granted, like reproductive rights, voting rights, free speech which have been hard won, and must continue to be protected.
- Encouraged the crowd to use their democratic power, not just as observers, but as agents. “Use your voice. Use your vote.”
He put it plainly: “At the core of it, I believe it’s so simple. I believe that people are good.”
In stadiums, arenas, and festival grounds, these are spaces where millions gather not just for sounds, but for shared energy. When an artist steps off autopilot and uses that moment to uplift collective justice, it changes the dynamic. These affirmations of solidarity with Palestine do more than signal moral alignment; they challenge silence. By weaving in reproductive and voting rights, Hozier reminds us that “justice” is not siloed; each rights struggle overlaps with the others. And by calling people to act, not just observe, he invites listeners to translate empathy into real civic engagement.
Hozier didn’t deliver a fiery rant or moral ultimatum. He invited reflection, challenged complacency, and trusted the audience’s heart. In doing so, he reaffirmed something essential: music doesn’t just echo the times… it can help shape them.
Texas Sweethearts DEI Forum 
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